AMAR MAHAL MUSEUM & LIBRARY JAMMU, JAMMU AND KASHMIR

Hari Singh (September 1895 – 26 April 1961) was the last ruling Maharaja of the princely state of Jammu and Kashmir in India. He was married four times. With his fourth wife, Maharani Tara Devi (1910–1967), he had one son, Yuvraj (Crown Prince) Karan Singh. Following the death of his uncle Pratap Singh in 1925, Hari Singh ascended the throne of Jammu and Kashmir.
Hari Singh signed the Instrument of Accession on 26 October 1947, joining the whole of his princely state (including Jammu, Kashmir, Northern Areas, Ladakh, Trans-Karakoram Tract and Aksai Chin) to the Dominion of India. These events triggered the first Indo-Pakistan War.
Pressure from Nehru and Sardar Patel eventually compelled Hari Singh to appoint his son and heir, Yuvraj (Crown Prince) Karan Singh, as Regent of Jammu and Kashmir in 1949, although he remained titular Maharaja of the state until 1952, when the monarchy was abolished. He was also forced to appoint Sheikh Abdullah as prime minister of Kashmir. He had a contentious relationship with both the Congress Leaders and, at the time, their most favored and popular politician in the area, Sheikh Abdullah. Karan Singh was appointed 'Sadr-e-Riyasat' ('President of the Province') in 1952 and Governor of the State in 1964.

Amar Mahal is situated on the right bank of the Tawi River in Jammu. Jammu, once a princely city, is also famous for forts, palaces and temples. The Sivalik Hills or ranges to the north of the Mahal, on the left bank of the river, provide a grand view, with the Tawi River flowing in between, draining the valley. It is well located adjoining the heritage hotel known as the Hari Niwas Palace Hotel, in the heart of the city, on the road to Kashmir.

History

Amar Mahal Palace in Jammu is a 19th century extravagance. This structure was built for Raja Amar Singh who was a Dogra king. The palatial structure differentiates itself from other palaces constructed at Jammu by Dogra kings. It stands amidst lush green patches and meadow lands where a large area has been utilised for external beautification of the palace.
Amar Mahal was the last residence of the Dogra Kings, Suryavanshi Rajputs and later was residence to Maharani Tara Devi, wife of late Raja Hari Singh. You’ll see rows of royal family portraits displayed and distributed here in hierarchy.

This palace lies on banks of Tawi River. On the other side is a magnificent Shivalik range, which completes a panoramic view in front. Tawi River flows through the valley and sounds of this river keep soothing your ears.

Eventually, this place was handed over to Hari Tara Charitable Trust. They turned it into a museum that houses Dogra-Pahari paintings.

Amar Mahal was sketched by a French architect in the year 1862 but it was not executed till 1890’s. After the death of Maharani Tara Devi in 1967, her son Dr. Karan Singh and his wife Mrs. Yasho Rajya Lakshmi converted this palace for use as a museum. The museum was inaugurated on April 13, 1975 by then prime minister of India Mrs Indira Gandhi. The objective of establishing this museum was to preserve some of the rarest forms of art and literature and they collaborated with other fine arts institutions for the promotion of Indian art and culture. They transferred this regal property to a trust and named it as Hari Tara charitable trust in honour of his parents.

Architecture

The palace built in red sandstone with red bricks is in a picturesque environment on a hillock overlooking the Tawi river valley. Built in the European castle style, the palace has sloping roofs with turrets and tall towers.When built during the reign of Raja Amar Singh, it was the tallest building in Jammu. The imposing building has long passages on three sides, which are covered by sloping corrugated tin roofs. The passages are supported on columns with wooden framework. The first floor of the palace building has French windows with connected balcony. The top floor has a bay window. The windows also depict triangular projections in classical Greek architectural style, which are fitted over ornate false columns.

Museum
In 1975 this building was converted into a museum and library housing the golden throne, the royal portraits of the Dogra rulers, a collection of narrative paintings in the Kangra miniature style of the late 18th century and a substantial number of books and contemporary art from the personal collection of Dr. Karan Singh.
Amar Mahal Museum has art galleries displaying Indian art and work of Indian artists in different fields. One of the grandest attractions is Dogra Kings Gold Sofa weighing 120 kg.

These galleries have paintings made from renowned artists as well as dwelling amateur artists. The attraction in paintings include fascinating paintings made by M.F hussain, J. Swaminathan, G.R Santosh, Bikash Battacharyagee, Laxmi Pani and may more. Paintings here include Dogra and Pahari, paintings from 18th century in Jammu and miniature paintings of Kangra in Himachal Pradesh. There are different galleries named Nala Damayanti, Dasha Avatar Gallery and Contemporary Art Gallery.

Nala Damyanti Gallery has a collection of almost 47 paintings from 18th century made Kangra ki Kalam, which narrates the love story of Nala and Damayanti and ends with their wedding Damayanti Swaymavar.
Dashvatar Gallery has illustrations made in oil paintings depicting stories of Lord Vishnu. A pictogram here is the reincarnation of lord Vishnu or Vishnu Puran.
Contemporary Art Gallery has a modern collection of paintings made by prominent contemporary Indian artists.

There is also an extensive library at Amar Mahal with books on subjects such as literature, science, politics, philosophy and more. Another attraction is the suite of Maharani Tara Devi where her clothes, bedspreads and Victorian style bathroom can be viewed.
This museum now fulfills its objectives by arranging tours, reading sessions, lectures and hobby classes. There are student exchange programs, workshops, and other hobby activities in the museum gallery.