A Travellerspoint blog

Entries about romance

AMAR MAHAL MUSEUM & LIBRARY JAMMU, JAMMU AND KASHMIR

large_IMG_0686.jpg

Hari Singh (September 1895 – 26 April 1961) was the last ruling Maharaja of the princely state of Jammu and Kashmir in India. He was married four times. With his fourth wife, Maharani Tara Devi (1910–1967), he had one son, Yuvraj (Crown Prince) Karan Singh. Following the death of his uncle Pratap Singh in 1925, Hari Singh ascended the throne of Jammu and Kashmir.
Hari Singh signed the Instrument of Accession on 26 October 1947, joining the whole of his princely state (including Jammu, Kashmir, Northern Areas, Ladakh, Trans-Karakoram Tract and Aksai Chin) to the Dominion of India. These events triggered the first Indo-Pakistan War.
Pressure from Nehru and Sardar Patel eventually compelled Hari Singh to appoint his son and heir, Yuvraj (Crown Prince) Karan Singh, as Regent of Jammu and Kashmir in 1949, although he remained titular Maharaja of the state until 1952, when the monarchy was abolished. He was also forced to appoint Sheikh Abdullah as prime minister of Kashmir. He had a contentious relationship with both the Congress Leaders and, at the time, their most favored and popular politician in the area, Sheikh Abdullah. Karan Singh was appointed 'Sadr-e-Riyasat' ('President of the Province') in 1952 and Governor of the State in 1964.

large_IMG_0657.jpg

Amar Mahal is situated on the right bank of the Tawi River in Jammu. Jammu, once a princely city, is also famous for forts, palaces and temples. The Sivalik Hills or ranges to the north of the Mahal, on the left bank of the river, provide a grand view, with the Tawi River flowing in between, draining the valley. It is well located adjoining the heritage hotel known as the Hari Niwas Palace Hotel, in the heart of the city, on the road to Kashmir.

large_IMG_0665.jpg

History

Amar Mahal Palace in Jammu is a 19th century extravagance. This structure was built for Raja Amar Singh who was a Dogra king. The palatial structure differentiates itself from other palaces constructed at Jammu by Dogra kings. It stands amidst lush green patches and meadow lands where a large area has been utilised for external beautification of the palace.
Amar Mahal was the last residence of the Dogra Kings, Suryavanshi Rajputs and later was residence to Maharani Tara Devi, wife of late Raja Hari Singh. You’ll see rows of royal family portraits displayed and distributed here in hierarchy.

large_IMG_0670.jpg

This palace lies on banks of Tawi River. On the other side is a magnificent Shivalik range, which completes a panoramic view in front. Tawi River flows through the valley and sounds of this river keep soothing your ears.

large_IMG_0692.jpg

Eventually, this place was handed over to Hari Tara Charitable Trust. They turned it into a museum that houses Dogra-Pahari paintings.

large_IMG_0674.jpg

Amar Mahal was sketched by a French architect in the year 1862 but it was not executed till 1890’s. After the death of Maharani Tara Devi in 1967, her son Dr. Karan Singh and his wife Mrs. Yasho Rajya Lakshmi converted this palace for use as a museum. The museum was inaugurated on April 13, 1975 by then prime minister of India Mrs Indira Gandhi. The objective of establishing this museum was to preserve some of the rarest forms of art and literature and they collaborated with other fine arts institutions for the promotion of Indian art and culture. They transferred this regal property to a trust and named it as Hari Tara charitable trust in honour of his parents.

large_IMG_0676.jpg

Architecture

The palace built in red sandstone with red bricks is in a picturesque environment on a hillock overlooking the Tawi river valley. Built in the European castle style, the palace has sloping roofs with turrets and tall towers.When built during the reign of Raja Amar Singh, it was the tallest building in Jammu. The imposing building has long passages on three sides, which are covered by sloping corrugated tin roofs. The passages are supported on columns with wooden framework. The first floor of the palace building has French windows with connected balcony. The top floor has a bay window. The windows also depict triangular projections in classical Greek architectural style, which are fitted over ornate false columns.

Museum
In 1975 this building was converted into a museum and library housing the golden throne, the royal portraits of the Dogra rulers, a collection of narrative paintings in the Kangra miniature style of the late 18th century and a substantial number of books and contemporary art from the personal collection of Dr. Karan Singh.
Amar Mahal Museum has art galleries displaying Indian art and work of Indian artists in different fields. One of the grandest attractions is Dogra Kings Gold Sofa weighing 120 kg.

large_IMG_0680.jpg

These galleries have paintings made from renowned artists as well as dwelling amateur artists. The attraction in paintings include fascinating paintings made by M.F hussain, J. Swaminathan, G.R Santosh, Bikash Battacharyagee, Laxmi Pani and may more. Paintings here include Dogra and Pahari, paintings from 18th century in Jammu and miniature paintings of Kangra in Himachal Pradesh. There are different galleries named Nala Damayanti, Dasha Avatar Gallery and Contemporary Art Gallery.

large_E3663BC1CB0B494277457AB4843432EC.jpg

Nala Damyanti Gallery has a collection of almost 47 paintings from 18th century made Kangra ki Kalam, which narrates the love story of Nala and Damayanti and ends with their wedding Damayanti Swaymavar.
Dashvatar Gallery has illustrations made in oil paintings depicting stories of Lord Vishnu. A pictogram here is the reincarnation of lord Vishnu or Vishnu Puran.
Contemporary Art Gallery has a modern collection of paintings made by prominent contemporary Indian artists.

large_IMG_0677.jpg

There is also an extensive library at Amar Mahal with books on subjects such as literature, science, politics, philosophy and more. Another attraction is the suite of Maharani Tara Devi where her clothes, bedspreads and Victorian style bathroom can be viewed.
This museum now fulfills its objectives by arranging tours, reading sessions, lectures and hobby classes. There are student exchange programs, workshops, and other hobby activities in the museum gallery.

large_IMG_0693.jpg

Posted by anuj1975 09:32 Archived in India Tagged landscapes buildings skylines people sky places india fort palace city summer beautiful tourism royal pradesh kashmir romance vaishno katra trikuta jammu chenab Comments (0)

The Story of Sohni Mahiwal – A tragic love story

Sohni Mahiwal[/b] is one of the four popular tragic romances of the Punjab and Sindh, the other three are Heer Ranjha, Mirza Sahiba and Sassi Punnun.

large_IMG_9659__2_.jpg

Sohni was the daughter of a potter named Tula, who lived in [b]Gujrat town in the Punjab Your text to link here...near the banks of the Chenab on the caravan trade route between Bukhara (Uzbekistan) and Delhi. This place is now known as Hamirpur Kona which is on the left bank of river Chenab. As soon as the 'Surahis' (water pitchers) and mugs came off the wheels, she would draw floral designs on them and transform them into masterpieces of art.

large_IMG_9654__2_.jpg

Izzat Baig, the rich trader from Bukhara (Uzbekistan), came to India on business but when he saw the beautiful Sohni Your text to link here...in the town of Gujrat on the Chenab in Punjab, he was completely enchanted. Just to get a glimpse of Sohni, he would end up buying the water pitchers and mugs everyday. Sohni lost her heart to Izzat Baig. Izzat Baig sent off his companions to Bukhara. He took up the job of a servant in the house of Tula, Sohni's father. He would even take their buffaloes for grazing. Soon, he came to be known as "Mahiwal"(buffalo herder).

When the people started spreading rumours about the love of Sohni and MahiwalYour text to link here..., without her consent her parents arranged her marriage with another potter.Izzat Baig renounced the world and started living like a "faqir" (hermit) in a small hut across the river which is now known as Hamirpur Sidher i.e located on the right bank of river Chenab. The earth of Sohni’s land was like a dargah (shrine) for him. He had forgotten his own land, his own people and his world. Taking advantage of the darkness of the night, when the world was fast asleep, Sohni would come by the riverside and Izzat Baig would swim across the river to meet her. He would regularly roast a fish and bring it for her. It is said that once, when due to high tide he could not catch a fish, Mahiwal cut a piece of his thigh and roasted it. Seeing the bandage on his thigh, Sohni opened it, saw the wound and cried.

large_IMG_9656__2_.jpg

From the next day, Sohni started swimming across the river with the help of an earthen pitcher as Izzat Baig was so badly wounded and could not swim across the river. One-day Sohni’s sister-in-law followed her and saw the hiding place where Sohni used to keep her earthen pitcher among the bushes. The next day, the sister-in-law removed the hard baked pitcher and replaced it with an unbaked one. That night, when Sohni tried to cross the river with the help of the pitcher, it dissolved in the water and Sohni drowned https://pinkpaparazzi.in/product-category/kurtis/ (< ERROR: the link title is too long!)in the river. From the other side of the river, Mahiwal saw Sohni drowning and jumped into the river and drowned as well.

large_IMG_9687.jpg

Sohni Mahiwal Point was washed away when the Chenab diverted its flow between the border hamlets of Hamirpur Sidhar and Hamirpur Kona on the night of September 2014. It was the spot where Sohni used to meet her lover Mehiwal.

large_IMG_9668__2_.jpg

The Chenab River is a major river of India and Pakistan. It forms in the upper Himalayas in the Lahaul and Spiti district of Himachal Pradesh, India, and flows through the Jammu region of Jammu and Kashmir into the plains of the Punjab, Pakistan

Posted by anuj1975 18:41 Archived in India Tagged churches people and places india world beautiful love national tourism kashmir romance floods punjab story jammu tragedy tragic chenab sohni mahiwal Comments (0)

(Entries 1 - 2 of 2) Page [1]